Archive for April, 2009

My workshop revisited and thoughts on the post-processing tutorial.

April 27, 2009

Kyms-Image

I know that I’m not posting to the blog very consistently, but hey, it’s challenging to think up meaningful content, while you’re also busy doing many other things. I’ll get better.

About the above photo – “Jodhpur Sweets-Maker”. It belongs to Kym Morris, the talented young woman who joined me for a private photo workshop around off-the-beaten-track Rajasthan. This was my favorite image of hers from our workshop. I remember that I was a little surprised when she showed it to me.

It’s not like Kym was clueless before the workshop, she already possessed a certain kind of vision, the stuff she was shooting was not captivating, but solid and the potential shone through. Once the workshop started I could see improvements every couple of days, but then in the final few days of the workshop I saw this shot and it was a few levels above anything else.

To me the image is the accumulation of much of what I tried to get across during the workshop (in regards to photographing on the streets) and that’s why I was so proud to see it. The things I spoke about – recognizing a photogenic situation, textures, color harmony and soft natural light – they are all here. On top of that there’s even a little motion blur in the hand, that makes the whole thing really come alive.

I guess some photography enthusiasts just need to be put onto the right path, then everything clicks and a transformation occurs. These are the people who can benefit most from a workshop (not just mine, I already mentioned some guys that I respect on my blog) and these are the photographers, Kym included, who I feel could find success photographing professionally.

Kym does not have a website yet, but she has a couple of images on “Onexposure”. I’m sure there will be more soon. 

I’m thinking that it may be worthwhile to do a workshop in Indonesia next – Bali to East Java. This trip would really focus on what it’s like to be a travel photographer. The locations would vary, from tourist hotspots and spectacular landscapes like the Bromo volcano to absolutely unknown gems and photographing traditional villagers and fishermen.

These parts of Indonesia have lots to offer, just as much as India in many respects. Again I’d either make it a private workshop or something very small scale. My whole thing is reducing any impact on traditional villages. The last thing I want is more children running up to foreigners and screaming demands for pens, chocolates and money.

Once everything is in place, I’ll have the info on my website. Anyone who thinks this may be a thing for them, contact me here or via the email on my website. It’d definitely be a journey-of-a-lifetime type of experience.

To all those who have enquired about a post-processing tutorial – If I make one, I would like to make it rather good, spend a bit of time on it, go into detail. There’s some theory that I think is very necessary to understand before going crazy with new PP techniques and I’d like to touch up on it. There are just too many people replicating catchy post-processing techniques that just scream at you, but they’re doing it all wrong, without understanding. I don’t want to encourage that with my tutorials.

Anyhow, the tutorial would have illustrations, step-by-step how to, examples and a few words that touch up on the “Why?”. It’d take me some time to make one and I figure that charging from US$10-15 for a PDF would not be unfair. The money ain’t much for knowledge, but goes a long way for someone traveling around Asia – US$10 is basically a day’s worth of budget traveling in India:).

If anyone thinks that this way of delivering the tutorial is not a bad idea – tell me. If you think it’s rubbish, well, also tell me.

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Photo Contests, self-critique and David duChemin’s book.

April 9, 2009

It’s been longer than I’d like between posts. I’ve been busy preparing images for various contests and magazines. Some of my least favorite work after post-processing, but I’m finding out just how important it is. You really learn to critically look at what you produce. It can be a little discouraging when you face the reality and see that a lot of the stuff you thought worked, doesn’t, but it’s an advantage to learn how to discern this yourself. I’m still learning and think/hope I’m steadily getting better.

There are people who aren’t crazy about photo contests, some have their egos bruised when they don’t win and others think the idea is stupid in general. I have mixed feelings on the matter and I do think that some contest  judges are on crack while making their decisions. However, I try to see photo contests for what they are – opportunities to get your work seen by a large number of people and chances to win – money, prizes, recognition. I think I have also understood that these things are extremely subjective, nevertheless the winning images that you see in “big” contests are more often than not inspiring, and that is never a bad thing. If the quality of your work and the timing complement each other, you’ll win, if that’s not the case – you’ll at least learn, if not from other people’s images, then from having to critically look at your own work and seeing what your weaknesses are.

While I’m on the topic of critically looking at images I’d like to mention a site with which I have been involved lately. I know that many readers have probably found me on this very site, but for those who didn’t, it is called Onexposure. I think the whole idea behind this project is quite brilliant. For those more serious about their photography it is a great alternative to Flickr.

It works like this: You have a weekly limit of image uploads and the images you upload are either published on the website or rejected.  After you upload,  knowledgeable photographers/enthusiasts look at your work, if it really sucks a “screener” instantly rejects it, if it really rocks it’s instantly published. More often than not the decision is not instant and the site members (including you, once you register) have to vote on what should be published and what shouldn’t. A decision not to publish is usually accompanied by a   reason/s e.g. – lack of impact, poor composition etc. An important detail is the fact that the whole process is anonymous. The voters don’t know whose image they’re seeing and the photographer doesn’t know who voted for or against. In my opinion this is great because it prevents rivalry, popularity contests and the ridiculous “mutual masturbation” that you sometimes see on Flickr – “Receive a star and give 5 stars to 5 other photos”. On Onexposure if your image is rubbish it simply doesn’t make it to the front page, when it does the comments are for most part of the positive and the congratulatory type and people can “favorite” your photo . In some way this is a page out of Flickr’s book, but on average, the crowd on OneExposure is much more photographically intelligent and with much less trash to look at, you’re really only presented with very decent to absolutely awesome work.

Anyway that’s enough about Onexposure, nothing better than seeing it for yourself.wtfcover

Before I sign off, I’d like to plug the book of an internet friend David duChemin – a brilliant fellow and a very fine photographer. His blog is full of wisdom – inspiration, the business side of photography, practical gear related stuff, it’s all there and anyone interested in photography beyond snap shots must check it out. Needless to say, an author of such a fine blog is very capable of producing an invaluable book for all those who aspire to better themselves as photographers and it seems like David has done just that. The book is still about a month away from being available, but it’s looking good from the sample PDF provided on David’s blog. I urge you all to check it out.